Most research in History follows the same structure. This guide can help you work through each step and find appropriate research.
Half American is American history as you’ve likely never read it before. In these pages are stories of Black heroes such as Thurgood Marshall, the chief lawyer for the NAACP, who investigated and publicized violence against Black troops and veterans; Benjamin O. Davis, Jr., leader of the Tuskegee Airmen, who was at the forefront of the years-long fight to open the Air Force to Black pilots; Ella Baker, the civil rights leader who advocated on the home front for Black soldiers, veterans, and their families; James Thompson, the 26-year-old whose letter to a newspaper laying bare the hypocrisy of fighting against fascism abroad when racism still reigned at home set in motion the Double Victory campaign; and poet Langston Hughes, who worked as a war correspondent for the Black press. Their bravery and patriotism in the face of unfathomable racism is both inspiring and galvanizing. In a time when the questions World War II raised regarding race and democracy in America remain troublingly relevant and still unanswered, this meticulously researched retelling makes for urgently necessary reading.
This transnational history of gender and radical politics during and after the US occupation of Haiti follows a cohort of Haitian women from Haiti through the Caribbean to the United States, Canada, and the Belgian Congo. Grace Sanders Johnson uses this group of women to explore how gender, national, and racial identities were forged among elite and middle class women.
Paradise Blues is an unconventional history of the United States of America, an unusual travel guide that follows and renders visible the country's paths of nature, history and civilisation. Christof Mauch is a leading German historian who has spent many years in the US and in this book he attempts, from a European perspective, to grasp the diversity of American culture and the transformation of its environments, combining travel reporting with nature writing, personal observation and philosophical reflection.
The untold history and politics of the White House from the perspective of African Americans.Official histories of the United States have ignored the fact that 25 percent of all U.S. presidents were slaveholders, and that black people were held in bondage in the White House itself. And while the nation was born under the banner of "freedom and justice for all," many colonists risked rebelling against England in order to protect their lucrative slave business from the growing threat of British abolitionism. These historical facts, commonly excluded from schoolbooks and popular versions of American history, have profoundly shaped the course of race relations in the United States. In this work, the author presents a comprehensive history of the White House from an African American perspective, illuminating the central role it has played in advancing, thwarting, or simply ignoring efforts to achieve equal rights for all. Here are the stories of those who were forced to work on the construction of the mansion at 1600 Pennsylvania Avenue and the determined leaders who pressured U.S. presidents to outlaw slavery. They include White House slaves, and servants who went on to write books, Secret Service agents harassed by racist peers, Washington insiders who rose to the highest levels of power, the black artists and intellectuals invited to the White House, community leaders who waged presidential campaigns, and many others. Juxtaposing significant events in White House history with the ongoing struggle for civil rights, the book makes plain that the White House has always been a prism through which to view the social struggles and progress of black Americans.
Did ordinary Italians have a 'Renaissance'? This book presents the first in-depth exploration of how artisans and small local traders experienced the material and cultural Renaissance. Drawing on a rich blend of sixteenth century visual and archival evidence, it examines how individuals and families at artisanal levels (such as shoemakers, barbers, bakers and innkeepers) lived and worked, managed their household economies and consumption, socialised in their homes, and engaged with the arts and the markets for luxury goods. It demonstrates that although the economic and social status of local craftsmen and traders was relatively low, their material possessions show how these men and women who rarely make it into the history books were fully engaged with contemporary culture, cultural customs and the urban way of life.
By the late 1960s, what had been widely heralded as the best qualified, best-trained army in US history was descending into crisis as the Vietnam War raged without end. Morale was tanking. AWOL rates were rising. And in August 1968, a group of Black soldiers seized control of the infamous Long Binh Jail, burned buildings, and beat a white inmate to death with a shovel. The days of "same mud, same blood" were over, and a new generation of Black GIs had decisively rejected the slights and institutional racism their forefathers had endured. As Black and white soldiers fought in barracks and bars, with violence spilling into surrounding towns within the US and in West Germany, Vietnam, South Korea, and Japan, army leaders grew convinced that the growing racial crisis undermined the army's ability to defend the nation. Acclaimed military historian Beth Bailey shows how the US Army tried to solve that racial crisis (in army terms, "the problem of race"). Army leaders were surprisingly creative in confronting demands for racial justice, even willing to challenge fundamental army principles of discipline, order, hierarchy, and authority. Bailey traces a frustrating yet fascinating story, as a massive, conservative institution came to terms with demands for change.
After World War II, Atlanta and Charlotte emerged as leading urban centers in the South, redefining the region through their competing metropolitan identities. Both cities also served as home to queer communities who defined themselves in accordance with their urban surroundings and profited to varying degrees from the emphasis on economic growth. Uniting southern women's history with urban history, La Shonda Mims considers an imaginatively constructed archive including feminist newsletters and queer bar guides alongside sources revealing corporate boosterism and political rhetoric to explore the complex nature of lesbian life in the South.
The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting work exposes the undeniable links between the last triumphs of the Civil Rights Movement and the consequences we live with today--a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King follows four individuals to give us a startling portrait of crack's destruction and devastating legacy. Elgin Swift, an archetype of American industry and ambition and son of a crack-addicted father who turned their home into a 'crack house'; Lennie Woodley, a former crack addict and a sex worker; Kurt Schmoke, former mayor of Baltimore and an early advocate of decriminalization; and lastly, Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers
In Are You Willing To Die For The Cause? Quebec-born cartoonist Chris Oliveros sets out to dispel common misconceptions about the birth and early years of a movement that, while now defunct, still holds a tight grip on the hearts and minds of Quebec citizenry and Canadian politics. There are no initials more volatile in Quebec history than F-L-Q. Standing for the Front de libération du Québec (or in English, the Quebec Liberation Front).The original goal of this socialist movement was to fight for workers rights of the French majority who found their rights trampled on by English bosses. The goal became ridding the province of its English oppression by means of violent revolution. Using dozens of obscure and long-forgotten sources, Oliveros skillfully weaves a comics oral history where the activists, employers, politicians, and secretaries piece together the sequence of events. At times humorous, other times dramatic, and always informative, Are You Willing To Die For The Cause? shines a light on just how little it takes to organize dissent and who people trust to overthrow the government
The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, as a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America.
Blackhawk’s retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.
Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government―in despair, because all the young people were leaving―opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society―perhaps the most astonishing national transformation in modern history.
Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis.
A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.
Childbirth defines families, communities, and nations. In Birthing the West, Jennifer J. Hill fills the silences around historical reproduction with copious new evidence and an enticing narrative, describing a process of settlement in the American West that depended on the nurturing connections of reproductive caregivers and the authority of mothers over birth.
Economic and cultural development depended on childbirth. Hill’s expanded vision suggests that the mantra of cattle drives and military campaigns leaves out essential events and falls far short of an accurate representation of American expansion. The picture that emerges in Birthing the West presents a more complete understanding of the American West: no less moving or engaging than the typical stories of extraction and exploration but concurrently intriguing and complex.
Birthing the West unearths the woman-centric practice of childbirth across Montana, the Dakotas, and Wyoming, a region known as a death zone for pregnant women and their infants. As public health entities struggled to establish authority over its isolated inhabitants, they collaborated with physicians, eroding the power and control of mothers and midwives. The transition from home to hospital and from midwife to doctor created a dramatic shift in the intimately personal act of birth.
For nearly a century, historians have depicted Germany as a rabidly nationalist land, born in a sea of aggression. Not so, says Helmut Walser Smith, who, in this groundbreaking 500-year history―the first comprehensive volume to go well beyond World War II―challenges traditional perceptions of Germany’s conflicted past, revealing a nation far more thematically complicated than twentieth-century historians have imagined.
Smith’s dramatic narrative begins with the earliest glimmers of a nation in the 1500s, when visionary mapmakers and adventuresome travelers struggled to delineate and define this embryonic nation. Contrary to widespread perception, the people who first described Germany were pacific in temperament, and the pernicious ideology of German nationalism would only enter into the nation’s history centuries later. Tracing the significant tension between the idea of the nation and the ideology of its nationalism, Smith shows a nation constantly reinventing itself and explains how radical nationalism ultimately turned Germany into a genocidal nation.
Half American is American history as you’ve likely never read it before. In these pages are stories of Black heroes such as Thurgood Marshall, the chief lawyer for the NAACP, who investigated and publicized violence against Black troops and veterans; Benjamin O. Davis, Jr., leader of the Tuskegee Airmen, who was at the forefront of the years-long fight to open the Air Force to Black pilots; Ella Baker, the civil rights leader who advocated on the home front for Black soldiers, veterans, and their families; James Thompson, the 26-year-old whose letter to a newspaper laying bare the hypocrisy of fighting against fascism abroad when racism still reigned at home set in motion the Double Victory campaign; and poet Langston Hughes, who worked as a war correspondent for the Black press. Their bravery and patriotism in the face of unfathomable racism is both inspiring and galvanizing. In a time when the questions World War II raised regarding race and democracy in America remain troublingly relevant and still unanswered, this meticulously researched retelling makes for urgently necessary reading.
This transnational history of gender and radical politics during and after the US occupation of Haiti follows a cohort of Haitian women from Haiti through the Caribbean to the United States, Canada, and the Belgian Congo. Grace Sanders Johnson uses this group of women to explore how gender, national, and racial identities were forged among elite and middle class women.
Paradise Blues is an unconventional history of the United States of America, an unusual travel guide that follows and renders visible the country's paths of nature, history and civilisation. Christof Mauch is a leading German historian who has spent many years in the US and in this book he attempts, from a European perspective, to grasp the diversity of American culture and the transformation of its environments, combining travel reporting with nature writing, personal observation and philosophical reflection.
The untold history and politics of the White House from the perspective of African Americans.Official histories of the United States have ignored the fact that 25 percent of all U.S. presidents were slaveholders, and that black people were held in bondage in the White House itself. And while the nation was born under the banner of "freedom and justice for all," many colonists risked rebelling against England in order to protect their lucrative slave business from the growing threat of British abolitionism. These historical facts, commonly excluded from schoolbooks and popular versions of American history, have profoundly shaped the course of race relations in the United States. In this work, the author presents a comprehensive history of the White House from an African American perspective, illuminating the central role it has played in advancing, thwarting, or simply ignoring efforts to achieve equal rights for all. Here are the stories of those who were forced to work on the construction of the mansion at 1600 Pennsylvania Avenue and the determined leaders who pressured U.S. presidents to outlaw slavery. They include White House slaves, and servants who went on to write books, Secret Service agents harassed by racist peers, Washington insiders who rose to the highest levels of power, the black artists and intellectuals invited to the White House, community leaders who waged presidential campaigns, and many others. Juxtaposing significant events in White House history with the ongoing struggle for civil rights, the book makes plain that the White House has always been a prism through which to view the social struggles and progress of black Americans.
Did ordinary Italians have a 'Renaissance'? This book presents the first in-depth exploration of how artisans and small local traders experienced the material and cultural Renaissance. Drawing on a rich blend of sixteenth century visual and archival evidence, it examines how individuals and families at artisanal levels (such as shoemakers, barbers, bakers and innkeepers) lived and worked, managed their household economies and consumption, socialised in their homes, and engaged with the arts and the markets for luxury goods. It demonstrates that although the economic and social status of local craftsmen and traders was relatively low, their material possessions show how these men and women who rarely make it into the history books were fully engaged with contemporary culture, cultural customs and the urban way of life.
By the late 1960s, what had been widely heralded as the best qualified, best-trained army in US history was descending into crisis as the Vietnam War raged without end. Morale was tanking. AWOL rates were rising. And in August 1968, a group of Black soldiers seized control of the infamous Long Binh Jail, burned buildings, and beat a white inmate to death with a shovel. The days of "same mud, same blood" were over, and a new generation of Black GIs had decisively rejected the slights and institutional racism their forefathers had endured. As Black and white soldiers fought in barracks and bars, with violence spilling into surrounding towns within the US and in West Germany, Vietnam, South Korea, and Japan, army leaders grew convinced that the growing racial crisis undermined the army's ability to defend the nation. Acclaimed military historian Beth Bailey shows how the US Army tried to solve that racial crisis (in army terms, "the problem of race"). Army leaders were surprisingly creative in confronting demands for racial justice, even willing to challenge fundamental army principles of discipline, order, hierarchy, and authority. Bailey traces a frustrating yet fascinating story, as a massive, conservative institution came to terms with demands for change.
After World War II, Atlanta and Charlotte emerged as leading urban centers in the South, redefining the region through their competing metropolitan identities. Both cities also served as home to queer communities who defined themselves in accordance with their urban surroundings and profited to varying degrees from the emphasis on economic growth. Uniting southern women's history with urban history, La Shonda Mims considers an imaginatively constructed archive including feminist newsletters and queer bar guides alongside sources revealing corporate boosterism and political rhetoric to explore the complex nature of lesbian life in the South.
The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting work exposes the undeniable links between the last triumphs of the Civil Rights Movement and the consequences we live with today--a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King follows four individuals to give us a startling portrait of crack's destruction and devastating legacy. Elgin Swift, an archetype of American industry and ambition and son of a crack-addicted father who turned their home into a 'crack house'; Lennie Woodley, a former crack addict and a sex worker; Kurt Schmoke, former mayor of Baltimore and an early advocate of decriminalization; and lastly, Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark's most legendary group of drug traffickers
In Are You Willing To Die For The Cause? Quebec-born cartoonist Chris Oliveros sets out to dispel common misconceptions about the birth and early years of a movement that, while now defunct, still holds a tight grip on the hearts and minds of Quebec citizenry and Canadian politics. There are no initials more volatile in Quebec history than F-L-Q. Standing for the Front de libération du Québec (or in English, the Quebec Liberation Front).The original goal of this socialist movement was to fight for workers rights of the French majority who found their rights trampled on by English bosses. The goal became ridding the province of its English oppression by means of violent revolution. Using dozens of obscure and long-forgotten sources, Oliveros skillfully weaves a comics oral history where the activists, employers, politicians, and secretaries piece together the sequence of events. At times humorous, other times dramatic, and always informative, Are You Willing To Die For The Cause? shines a light on just how little it takes to organize dissent and who people trust to overthrow the government
The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, as a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America.
Blackhawk’s retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.
Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government―in despair, because all the young people were leaving―opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society―perhaps the most astonishing national transformation in modern history.
Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis.
A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.
Childbirth defines families, communities, and nations. In Birthing the West, Jennifer J. Hill fills the silences around historical reproduction with copious new evidence and an enticing narrative, describing a process of settlement in the American West that depended on the nurturing connections of reproductive caregivers and the authority of mothers over birth.
Economic and cultural development depended on childbirth. Hill’s expanded vision suggests that the mantra of cattle drives and military campaigns leaves out essential events and falls far short of an accurate representation of American expansion. The picture that emerges in Birthing the West presents a more complete understanding of the American West: no less moving or engaging than the typical stories of extraction and exploration but concurrently intriguing and complex.
Birthing the West unearths the woman-centric practice of childbirth across Montana, the Dakotas, and Wyoming, a region known as a death zone for pregnant women and their infants. As public health entities struggled to establish authority over its isolated inhabitants, they collaborated with physicians, eroding the power and control of mothers and midwives. The transition from home to hospital and from midwife to doctor created a dramatic shift in the intimately personal act of birth.
For nearly a century, historians have depicted Germany as a rabidly nationalist land, born in a sea of aggression. Not so, says Helmut Walser Smith, who, in this groundbreaking 500-year history―the first comprehensive volume to go well beyond World War II―challenges traditional perceptions of Germany’s conflicted past, revealing a nation far more thematically complicated than twentieth-century historians have imagined.
Smith’s dramatic narrative begins with the earliest glimmers of a nation in the 1500s, when visionary mapmakers and adventuresome travelers struggled to delineate and define this embryonic nation. Contrary to widespread perception, the people who first described Germany were pacific in temperament, and the pernicious ideology of German nationalism would only enter into the nation’s history centuries later. Tracing the significant tension between the idea of the nation and the ideology of its nationalism, Smith shows a nation constantly reinventing itself and explains how radical nationalism ultimately turned Germany into a genocidal nation.
Half American is American history as you’ve likely never read it before. In these pages are stories of Black heroes such as Thurgood Marshall, the chief lawyer for the NAACP, who investigated and publicized violence against Black troops and veterans; Benjamin O. Davis, Jr., leader of the Tuskegee Airmen, who was at the forefront of the years-long fight to open the Air Force to Black pilots; Ella Baker, the civil rights leader who advocated on the home front for Black soldiers, veterans, and their families; James Thompson, the 26-year-old whose letter to a newspaper laying bare the hypocrisy of fighting against fascism abroad when racism still reigned at home set in motion the Double Victory campaign; and poet Langston Hughes, who worked as a war correspondent for the Black press. Their bravery and patriotism in the face of unfathomable racism is both inspiring and galvanizing. In a time when the questions World War II raised regarding race and democracy in America remain troublingly relevant and still unanswered, this meticulously researched retelling makes for urgently necessary reading.